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Fairfield
County
Weekly

The best singer-songwriter you've never heard!  
By Jim Motavalli
       -Nov 04, 2002-

Sometimes you just know. I first heard Terence Martin sing on a sunny summer day in a magical setting, the garden behind Will Tressler's barn in Easton during his legendary annual folk happening. Tressler has been holding these get-togethers, a must for area musicians, since the 1960s, and music gets made all over the property. Those first two songs were played in a glade for an audience of exactly three: my bassoon-playing friend Richard Epstein, my 8-year-old daughter Maya, and me. And from that very first note I knew I was in the presence of a major artist. -more-

"Martin manages the rare trick of evoking regret without getting stuck in self-pity or reproach. The road not taken still seems to hold beauty."
- Daniel Gewertz,  Boston Herald -

  “Terence Martin has a magnificent ability to express emotions and feelings poetically and then deliver them carefully wrapped musically.”
- Sing Out Magazine, Spring 2003 -

 “ A published poet, Martin displays a remarkable talent to view a situation through a unique prism and then turn a phrase and paint a picture that other songwriters can only wish for and dream about. For those who are elated by the magic conjured up by wizards with words, Terence Martin and this CD are for you”.
- Kevin McCarthy, Folk Music Reviews, January 2003 -
“Terence Martin is more than a craftsman. His voice, and the lyrics and rhythms of his songs echo in your head long after."                    
- Marilyn Rea Beyer, Music director, WUMB -
"It comes as no surprise that songwriter Terence Martin is also a poet. Martin's songs are poetic in structure, sketching out pointed observations of the world around him."
- Dirty Linen, August 2001 -
Terence Martin has a great acoustic/folk/pop style that leaves you breathless after just the first few songs. As I expected, the lyrics were great and presented that inspiring storylike feel. Terence creates a tapestry of great imagery with his music. You can almost see your version of the video in your mind. The acoustic guitar seems to reach out and grab a hold of you, while the subtle background instruments create a fill that makes the music seem larger than life. I'm always happy to review music of this quality. Terence Martin has that tone of his voice that pulled me into each song. I've reviewed a lot of folk music over the years, but I can't think of anyone who I simply loved to listen to more than this music and this artist. If you're an Americana/Folk style music fan, this is definitely an album that will not disappoint.
- Michael Allison , THEGLOBALMUSE.COM
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Acoustic
Guitar
Magazine

Terence Martin's credentials as a symphony bassist, touring rock musician, and poet converge persuasively in this collection of original folk-based material. Accompanied by acoustic fingerpicking, harmonica, mandolin, bass, and accordion, Martin's voice and delivery bear comparison to Greg Brown, Gordon Lightfoot, and Richie Havens. Martin's emotive lyrics stand out as studies in the use of telling detail, twists on familiar phrases, and crystalline imagery to evoke experiences along life's thorny path. "The Way It Didn't Go," recounting the moving particulars of a love affair that never happened ("I saw a child / Who might have had our name / He passed me in a crowd / Just the other day"), and "Sky the Wrong Color," simultaneously describing one morning and the entire life of a devoted couple, epitomize the way Martin effectively matches language with musical phrase on this thoughtfully crafted CD. (Good Dog, www.martinsongs.com)
 

 

 Sleeper  Airplay & Reviews
  Americana Music Chart  # 44
  Album Network  #3 Most Promising Artist
  Folk DJ List -
#3 Top Releases, January 2003
#5 Top Song, “The way it didn’t go” February 2003
  Top Spins,  WUMB Boston folk radio
 “Midnight Special” Pick Hit for February
"Sleeper by Terence Martin brims with honest, perceptive, stylish lyrics. Just the first song, ``The Way It Didn't Go,'' proves its mature vision. Many composers have tried to write about lost romantic opportunities. Martin manages the rare trick of evoking regret without getting stuck in self-pity or reproach. The road not taken still seems to hold beauty.”
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Daniel Gewertz, Boston Herald -
 "Terence Martin's third solo effort confirms what we already knew - lyrically, the man possesses the soul and spirit of a poet. On Sleeper he marries twelve narratives to finely constructed, acoustic driven melodies and then delivers each of them in a pleasingly warm and husky voice."    
-
Arthur Wood, Founding Editor, Folkwax -
 
Sleeper  is pure musical poetry.”           
 - Les Reynolds, Indie-music.com -

 

 

 Waterproof   Reviews & Quotes
"Now and again you stumble across a shiny gem. This is definitely one."
- Folk Roots Magazine, June 2001 -
"There is so much good writing on Waterproof that one is tempted to seek out lines here and there, and collect and savor them, picking out favorites."
- Richard Cuccaro, Acoustic Live in NYC -
"You won’t need a lyric sheet to be compelled by this artist, who paints vivid pictures in words and music. This is a full-length, ready-to-go CD that makes a deep impression via Martin’s breathy, bassy voice, simple-yet-effective melodies and tasteful arrangements, especially on "Waterproof," and "Orphanage Trees." Though his influences (Dylan, Drake, Zevon, Cohen) echo on occasion, Martin manages to avoid copycatting. This is grown-up, high-calibre stuff."
- Top 20 Independent Submissions for 2001 -
- MUSIC CONNECTION MAGAZINE, February 2001 -
"In the crowded field of singer/songwriters, Terence Martin stands out with fresh, intelligent lyrics, creating powerful images one won't soon forget. Waterproof is one of my 'Top Ten Albums' for the year."
- Tom Bohan, WRUR, Rochester, New York -
"A collection of beautiful songs, fascinating from beginning to end."
- Rootstown Music Magazine, Belgium -
"Waterproof is very well done and is a nice follow-up to Martin's first CD, Division Street.Among the current crop of singer/songwriters, Terence Martin is a real find."
- Folk and Acoustic Music Exchange
-
"A finely crafted series of elegant, shimmering soundscapes…"
- Newark Star Ledger -
" Rich, dark and polished, like a fine piece of furniture."
- MusicDish
-
"I can’t get Waterproof out of my CD players, and it’s likely to end up my favorite album of the year."
- Jeffrey Gill, Folk Image -
"If this were recorded on vinyl, my copy would quickly wear out."
- Cliff Seltzer, Main Stage Coffeehouse –

 

"Speeding through stillness…a nice probing edge…complimentary lines from the same soil [as Bob Dylan]"
- Poetry critic John Zournes -

"Just when those of us who listen to a lot of high quality music feel that we’re up on all the good ones, Terence Martin reminds us that there is still another story, and another way to tell it."
- Meg Griffin, Sirius Radio –

"Terence Martin is the real deal: one of those rare singer songwriters who allows you right in to feel what he is singing.”
- Pete Fornatale, Mixed Bag, WFUV

"Terence Martin, like Richard Shindell, is a vivid wordsmith whose darkly fluid songs seep into your head and heart."
- John Platt, WFUV -

"Terence Martin is a deep and thoughtful writer, composes finely crafted songs, has a beautiful voice, plays a mean guitar… and it doesn't hurt that he looks like Harrison Ford!" - Christine Lavin -

"The songwriting is strong and poetic, the lyrics universal and the music captivating. Martin undersores his quiet musical poetry with a simmering passion that’s just this side of tangible. Visually vivid, this is music that conjures up images of train-hopping hobos and small towns that thrive in the Americana myth."
-The Fairfield County Weekly –

"There are some songwriters that leave such a powerful imprint that you feel changed in some fashion – Terence Martin is one of those."  -
Kevin McCarthy, Celtic & Folk Music CD Reviews -