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The best singer-songwriter you've never heard!
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| Sometimes you just know. I first heard Terence Martin sing on a sunny summer day in a magical setting, the garden behind Will Tressler's barn in Easton during his legendary annual folk happening. Tressler has been holding these get-togethers, a must for area musicians, since the 1960s, and music gets made all over the property. Those first two songs were played in a glade for an audience of exactly three: my bassoon-playing friend Richard Epstein, my 8-year-old daughter Maya, and me. And from that very first note I knew I was in the presence of a major artist. -more- | |
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"Martin manages the rare trick of evoking regret without getting stuck in self-pity or reproach. The road not taken still seems to hold beauty." - Daniel Gewertz, Boston Herald - |
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“Terence Martin has
a magnificent ability to express emotions and feelings poetically and then
deliver them carefully wrapped musically.” |
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| “ A published poet, Martin displays a remarkable talent to
view a situation through a unique prism and then turn a phrase and paint a
picture that other songwriters can only wish for and dream about. For those who
are elated by the magic conjured up by wizards with words, Terence Martin and
this CD are for you”. - Kevin McCarthy, Folk Music Reviews, January 2003 - |
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| “Terence Martin is more than a craftsman. His voice, and the lyrics and
rhythms of his songs echo in your head long after." - Marilyn Rea Beyer, Music director, WUMB - |
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| "It comes as no surprise that songwriter Terence Martin is also a poet.
Martin's songs are poetic in structure, sketching out pointed observations of
the world around him." - Dirty Linen, August 2001 - |
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Terence Martin has a great acoustic/folk/pop style that leaves you breathless
after just the first few songs. As I expected, the lyrics were great and
presented that inspiring storylike feel. Terence creates a tapestry of great
imagery with his music. You can almost see your version of the video in your
mind. The acoustic guitar seems to reach out and grab a hold of you, while the
subtle background instruments create a fill that makes the music seem larger
than life. I'm always happy to review music of this quality. Terence Martin has
that tone of his voice that pulled me into each song. I've reviewed a lot of
folk music over the years, but I can't think of anyone who I simply loved to
listen to more than this music and this artist. If you're an Americana/Folk
style music fan, this is definitely an album that will not disappoint. - Michael Allison , THEGLOBALMUSE.COM - |
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| Terence Martin's credentials as a symphony bassist, touring
rock musician, and poet converge persuasively in this collection of original
folk-based material. Accompanied by acoustic fingerpicking, harmonica,
mandolin, bass, and accordion, Martin's voice and delivery bear comparison
to Greg Brown, Gordon Lightfoot, and Richie Havens. Martin's emotive lyrics
stand out as studies in the use of telling detail, twists on familiar
phrases, and crystalline imagery to evoke experiences along life's thorny
path. "The Way It Didn't Go," recounting the moving particulars of a love
affair that never happened ("I saw a child / Who might have had our name /
He passed me in a crowd / Just the other day"), and "Sky the Wrong Color,"
simultaneously describing one morning and the entire life of a devoted
couple, epitomize the way Martin effectively matches language with musical
phrase on this thoughtfully crafted CD. (Good Dog,
www.martinsongs.com) |
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| Sleeper Airplay & Reviews | |
| Americana Music Chart # 44 | |
| Album Network #3 Most Promising Artist | |
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DJ List - #3 Top Releases, January 2003 #5 Top Song, “The way it didn’t go” February 2003 |
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| Top
Spins, WUMB Boston folk radio “Midnight Special” Pick Hit for February |
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| "Sleeper by Terence Martin brims with honest,
perceptive, stylish lyrics. Just the first song, ``The Way It Didn't Go,''
proves its mature vision. Many composers have tried to write about lost romantic
opportunities. Martin manages the rare trick of evoking regret without getting
stuck in self-pity or reproach. The road not taken still seems to hold beauty.” - Daniel Gewertz, Boston Herald - |
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| "Terence Martin's
third solo effort confirms what we already knew - lyrically, the man
possesses the soul and spirit of a poet. On Sleeper he
marries twelve narratives to finely constructed, acoustic driven melodies and
then delivers each of them in a pleasingly warm and husky voice."
- Arthur Wood, Founding Editor, Folkwax - |
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| “Sleeper is pure musical poetry.” - Les Reynolds, Indie-music.com - |
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Waterproof Reviews & Quotes |
| "Now and again you stumble across a shiny gem. This is definitely
one." - Folk Roots Magazine, June 2001 - |
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| "There is so much good writing on Waterproof that one is tempted
to seek out lines here and there, and collect and savor them, picking out
favorites." - Richard Cuccaro, Acoustic Live in NYC - |
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| "You won’t need a lyric sheet to be compelled by this artist, who
paints vivid pictures in words and music. This is a full-length, ready-to-go CD
that makes a deep impression via Martin’s breathy, bassy voice,
simple-yet-effective melodies and tasteful arrangements, especially on
"Waterproof," and "Orphanage Trees." Though his influences
(Dylan, Drake, Zevon, Cohen) echo on occasion, Martin manages to avoid copycatting. This is
grown-up, high-calibre stuff." - Top 20 Independent Submissions for 2001 - - MUSIC CONNECTION MAGAZINE, February 2001 - |
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"In the crowded field of singer/songwriters, Terence Martin stands out
with fresh, intelligent lyrics, creating powerful images one won't soon forget. Waterproof
is one of my 'Top Ten Albums' for the year." - Tom Bohan, WRUR, Rochester, New York - |
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"A collection of beautiful songs, fascinating from beginning to
end." - Rootstown Music Magazine, Belgium - |
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"Waterproof is very well done and is a nice follow-up to
Martin's first CD, Division Street.Among the current crop of
singer/songwriters, Terence Martin is a real find." - Folk and Acoustic Music Exchange - |
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"A finely crafted series of elegant, shimmering soundscapes…" - Newark Star Ledger - |
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" Rich, dark and polished, like a fine piece of furniture." - MusicDish - |
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| "I can’t get Waterproof out of my CD players, and it’s
likely to end up my favorite album of the year." - Jeffrey Gill, Folk Image - |
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| "If this were recorded on vinyl, my copy would quickly wear out." - Cliff Seltzer, Main Stage Coffeehouse – |
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"Speeding
through stillness…a nice probing edge…complimentary lines from the same soil
[as Bob Dylan]" - Poetry critic John Zournes -
"Just when those of us who listen to a lot of
high quality music feel that we’re up on all the good ones, Terence
Martin reminds us that there is still another story, and another way to
tell it."
"Terence
Martin is the real deal: one of those rare singer songwriters who allows you
right in to feel what he is singing.”
"Terence Martin, like Richard Shindell, is a vivid wordsmith whose darkly
fluid songs seep into your head and heart." "Terence Martin is a deep and thoughtful writer, composes finely crafted songs, has a beautiful voice, plays a mean guitar… and it doesn't hurt that he looks like Harrison Ford!" - Christine Lavin -
"The songwriting is strong and poetic,
the lyrics universal and the music captivating. Martin undersores his quiet
musical poetry with a simmering passion that’s just this side of tangible.
Visually vivid, this is music that conjures up images of train-hopping hobos
and small towns that thrive in the Americana myth."
"There are some songwriters that
leave such a powerful imprint that you feel changed in some fashion –
Terence Martin is one of those." - |